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Showing 71 results for Giovanni Fortuna
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Fortuna
Giambologna
17th-18th Century (?)
Fortuna
Giambologna
early 17th century
The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449
Triumph of Death with three fates in an architectural frame above a wheel of fortune flanked by skeletons; a skull and an hour glass at top and with wheel intended to spin at center
Andrea Andreani
1588
Plan and facade of the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from "Le Antichità Romane"
Giovanni Battista Piranesi
1756
Cornice and column from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from "Le Antichità Romane"
Giovanni Battista Piranesi
1756
Arcuated Lintel
Giovanni Rizzardi (before 1937)
early 1980s
Arcuated Lintel
Giovanni Rizzardi (before 1937)
early 1980s
Arcuated Lintel
Giovanni Rizzardi (before 1937)
early 1980s
Arcuated Lintel
Giovanni Rizzardi (before 1937)
early 1980s
Profile of the Temple of Fortuna Virilis (Profilo del Tempio della Fortuna Virile), and section of the temple, from "Le Antichità Romane"
Giovanni Battista Piranesi
1756
Section of column base from the Temple of Fortuna Virilis (Tempio della Fortuna Virile), from "Le Antichità Romane"
Giovanni Battista Piranesi
1756
The so-called Temple of Fortuna Virilis (now Church of S. Maria Egizziaca) (Veduta del Tempio della Fortuna Virile)
Giovanni Battista Piranesi
ca. 1758
Plate 14: Senatorial Bridge, today called the Ponte Rotto (Broken Bridge). 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine. (Ponte Senatorio oggi detto Ponte rotto), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Giovanni Battista Piranesi
ca. 1748
The so-called Temple of Fortuna Virilis (now Church of S. Maria Egizziaca) (Veduta del Tempio della Fortuna virile)
Giovanni Battista Piranesi
ca. 1758
The Adoration of the Shepherds
Andrea Mantegna
shortly after 1450
View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi
ca. 1750–78
Reconstruction of details from the Temple of Fortuna Virilis [Column Base], tome 4, tavola 51 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
published 1756–57
Side elevation of the Temple of Fortuna Virilis, tome 4, tavola 50 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
published 1756–57
Reconstruction of details form the Temple of Fortuna Virilis..., tome 4, tavola 52 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
published 1756–57
Allegorical Figures Representing Virtue and Abundance
Giovanni Battista Tiepolo
1760
Plan of the Temple of Fortuna Virilis, built by Servius Tullius, King of the Romans..., tome 4, tavola 49 from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
published 1756–57
Comparative pedestals [Arch of Augustus, Rimini, and Temple of Fortuna Virilis, Rome], tab. 21 from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)
Giovanni Battista Piranesi
1761
Senatorial Bridge, today called the Ponte Rotto [Broken Bridge], Temple of Vesta, Temple of Fortuna Virilis, and Part of the ancient Palatine, tavola 14 from "Alcune Vedute di Archi Trionfali ed altri monumenti analzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)
Giovanni Battista Piranesi
printed after 1775
Two apostles and five youths, a torch at right, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Two apostles and five youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Two apostles and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Saint Thomas surrounded by five youths, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
The central group of the Assumption of the Virgin, Mary in the clouds with arms outstretched at right, musical angels throughout, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
The group to the right of the Assumption, with Eve and other saints accompanied by putti and angels, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
An apostle and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Bishop Saint Bernard with six youths, one holding his crozier, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Saint John the Baptist holding a lamb, surrounded by five youths, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
The group to the left of the Assumption with musical angels, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Two apostles and three semi-nude youths, a torch at center, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
An apostle and four semi-nude youths, a torch at right, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
An apostle and four semi-nude youths, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Saint Thomas surrounded by five youths, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
Bishop Saint Hilary surrounded by four youths, one at right holding an open book, in a cupola with cockle shells and festoons of fruit above, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642
An apostle with four youths, after Correggio's frescoes from the cupola of the Parma Cathedral
Giovanni Battista Vanni
1642